Aceti, Lanfranco (2009) Without visible scars: digital art and the memory of war. Leonardo, 42 (1). pp. 16-26. ISSN 0024-094X (Print) 1530-9282 (Online)
This is the latest version of this item.
PDF
42.1.aceti.pdf
Download (965kB)
42.1.aceti.pdf
Download (965kB)
Abstract
What is the role of the artist in recreating a cultural landscape where the psychology and identity are shaped by multiple narratives of wars? The article discusses a contemporary artistic practice in its attempt to reveal the role of digital media in providing a platform for visual representation of multiple narratives.
Item Type: | Article |
---|---|
Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR N Fine Arts > N Visual arts (General) For photography, see TR > N7433.8-.85 Computer art. Digital art |
Divisions: | Faculty of Arts and Social Sciences > Academic programs > Visual Arts & Communication Design Faculty of Arts and Social Sciences > Academic programs > Cultural Studies Faculty of Arts and Social Sciences > Academic programs > Conflict Analysis And Resolution |
Depositing User: | Lanfranco Aceti |
Date Deposited: | 18 Nov 2009 16:53 |
Last Modified: | 26 Apr 2022 08:32 |
URI: | https://research.sabanciuniv.edu/id/eprint/12741 |
Available Versions of this Item
-
Without Visible Scars: Digital Art and the Memory of War. (deposited 07 Nov 2008 14:14)
- Without visible scars: digital art and the memory of war. (deposited 18 Nov 2009 16:53) [Currently Displayed]