Digital ethos: transformations in contemporary photography aesthetics subsequent to computational art
Germen, Murat Digital ethos: transformations in contemporary photography aesthetics subsequent to computational art. In: ISEA Istanbul / 17th International Symposium on Electronic Art, Sabancı Center, İstanbul (Submitted)
Official URL: http://isea2011.sabanciuniv.edu/
Photography is one of the creative fields at which technological advances influence artistic expression the most. The ease of manipulation brought by software and extra features available in cameras made artists (using photography as an articulation tool) reconsider their visions, themes, narration, syntax and ways of sharing their artwork. Sharing sites like Flickr, which expedite encounters of various individuals from different cultures, help in changing the perception of the much vital notion of time and enable artists to get faster feedback, revelation, exposure and layering of information to be conveyed. While some photographers, who are deeply obsessed with analog processes, deny digital technology; it is quite obvious that artists, who are aware of the complexity and particular advantages that this technology brings, indeed end up with a novel aesthetics of photography. In addition to the regular montage and collage methods remaining from the old analog days, digital imaging techniques allow artists to work with notions like augmented perception, chronophotography, subreal encounters, pictorialism, palimpsest-like superimposition, interlacing, simplification / minimization, creation of new worlds, delusion, synthetic realism / artificiality, appropriation... Digital tools available for photography allow the artists in the field to think in a more daring and free way. This freedom influences the content and also the visual aesthetics of the recently created artworks in the universal practice of contemporary photography. Photography is probably one of the visual art platforms that is influenced most extensively by digital construction and creativity. Fortunately, it seems it will continue to be so in the future and digital means will strengthen photography’s position in the art world as one of the most progressive expression platforms. This paper will focus on the significance of digital technologies in changing aesthetics, planning, vision, fiction and realization of photography and various avant-garde photography forms nourished by digital culture.
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